جهت استعلام قیمت، خرید و مشاهده نمونه صفحه محصول، لطفاً از طریق پشتیبانی فروشگاه در واتساپ و تلگرام اقدام فرمایید.
for Flute and Piano
Adapted by L.W. Lachnith (ca. 1800)
Revised and Edited by
Flutist Er’ella Talmi and Pianist Tomer Lev
The three sonatas by Mozart had been discovered by the late American pianist Malcolm Frager. The manuscript, published in the early 19th century by Sieber-Paris, was found by Mr. Frager at a second-hand bookstore in the former Czechoslovakia and presented as a gift to his friend, Flutist Er’ella Talmi.
The following title, originally in French, appears on the manuscript’s cover:
Three Sonatas for Piano with accompaniment of Flute or Violin
composed by W.A. Mozart.
These compositions are excerpts from the composer’s pieces,
adapted for Piano and Flute or Violin by Lachnith.
An examination of the material shows that these ”Sonatas” are actually arrangements of Mozart’s best-known chamber works and are derived from:
- Sonata no. 1 - Quintet for Piano & Woodwinds in E flat Major, K. 452.
- Sonata no. 2 - Quartet for Piano & Strings in g minor, K. 478.
- Sonata no. 3 - Trio for Clarinet, Viola and Piano in E flat Major, K. 498 (Kegelstatt Trio).
All three pieces had been arranged for Flute (or Violin) & Piano by Mozart’s contemporary, Bohemian composer Ludwig Wenzel Lachnith (1748-1820). Lachnith was a Horn player and a composer, who, during his early years, had also studied Violin and Harpsichord. He wrote a few concerti, symphonies, music for the theatre and chamber works. He was a prolific arranger, who transcribed music written by Haydn, Mozart, Pleyel and other contemporaries for Piano, with or without additional instruments.