جهت استعلام قیمت، خرید و مشاهده نمونه صفحه محصول، لطفاً از طریق پشتیبانی فروشگاه در واتساپ و تلگرام اقدام فرمایید.
By Steve Larson
Analyzing Jazz: A Schenkerian Approach demonstrates that the
theories of Heinrich Schenker can illuminate not only the technical
aspects of jazz (such as melody, rhythm, and harmony), but also its
artistic content. In considering objections that have been raised to the
application of Schenker's approach to improvised jazz, the book touches
upon the content and origin of Schenker's theories, the role of
analysis and the intentional fallacy, the origin and function of
dissonance in common-practice harmony and in jazz, the nature of
improvisation vs. composition, and the role of simplicity and complexity
in popular and art music. And, although it qualifies the applicability
of Schenker?s theories to jazz, it also shows that Schenker's theories
offer basic theoretical principles and practical examples for explaining
dissonance treatment in jazz and models useful in creating, explaining,
and experiencing jazz. The book offers detailed analyses of Larson's
transcriptions into musical notation of five complete recorded
performances of Thelonious Monk's classic jazz composition Round
Midnight: two recorded by the composer, one by Oscar Peterson, and two
by Bill Evans and is thus the first work to publish complete
transcriptions of the same piece as played by different jazz performers.