جهت استعلام قیمت، خرید و مشاهده نمونه صفحه محصول، لطفاً از طریق پشتیبانی فروشگاه در واتساپ و تلگرام اقدام فرمایید.
By Peter Petersen
This book sets forth the first really novel theory of rhythm since
Hugo Riemann: the components theory. Its approach will be of interest
to musicologists and music theoreticians alike as well as to music
performers, since it will enable them to describe and understand the
rhythmic shape of music better and more fully than was previously
possible. Instead of conceiving rhythm simply as interplay of short and
long, of accents and meters, the present analysis takes its departure
from secondary rhythms that are not notated but depend on specific
qualities of a given sound or sound formation. Together with the basic
rhythms, these components rhythms form a total rhythmic texture, whose
temporal and weight structure allows a novel way of perceiving musical
meter as not being primarily prescriptive but above all as the product
of an overall compositional calculation of component rhythms.