جهت استعلام قیمت، خرید و مشاهده نمونه صفحه محصول، لطفاً از طریق پشتیبانی فروشگاه در واتساپ و تلگرام اقدام فرمایید.
Melodic Movement Within Three-Part Harmony
by Johannes Haage
This book focuses on the intersection
of melody and harmony. While valuable for all instrumental and choral
composers and arrangers, it specifically explores ways to move melodic
voices independently within three-part harmony on the guitar.
All you need to benefit from this book is the ability to read standard
notation on the guitar. Working through this book will improve fretboard
knowledge and help you write better melody-chord arrangements.
For the first time in print, VOICE MOTION
presents a condensed, comprehensive list of all the possible ways for
three voices to move in 2nds or 3rds within the context of common 7-note
or heptatonic scales. With graphic illustrations that instantly reveal
the nature of the motion (see front cover), the versatility of this list
is unparalleled in modern music publishing.
VOICE MOTION contains not only the essential list of all possible moves, in close and open (drop-2) voicing, but also:
- Begins
with a complete course on diatonic three-voice chords and continues
with a structured presentation of the ways to move voices within them.
- Introduces a unique harmonic toolbox which can be used at any stage of a musician’s personal artistic development.
- Provides
an overview of heptatonic harmony and melodic movement which can be
used when writing for or playing three voices in any harmonic situation.
- Vastly
expands the reader’s chord vocabulary while demonstrating a clear
method for learning to move any harmonic voice independently, in any
inversion.
- Definitively
explores all relevant heptatonic scales, their modes and three-part
chord structures as well as presenting many examples, exercises and
etudes to demonstrate their practical application.
- Presents
a fretboard diagram and C major diatonic and chromatic scale exercises
in notation and tab to clarify note locations on the guitar.
- Offers a special section applying the book’s principles to keyboard instruments.