جهت استعلام قیمت، خرید و مشاهده نمونه صفحه محصول، لطفاً از طریق پشتیبانی فروشگاه در واتساپ و تلگرام اقدام فرمایید.
Jesper Bøje Christensen (Author)
In recent years, efforts to achieve interpretations that do
justice to the criteria of historical performance practice have become
de rigueur in the world of early music. Not only has this affected the
instruments and performance techniques used by soloists, it also
impinges on the musical foundation: the accompaniment. In his figured
bass tutor Jesper Bøje Christensen, a teacher at the Schola Cantorum in
Basle, shows readers how to produce stylistically accurate figured bass
realisations, whether written beforehand or improvised in performance.
He has taken an unusual approach: the various figured bass manuals of
the early eighteenth century by Dandrieu, St. Lambert, Heinichen,
Telemann and others are clearly organised and logically structured and
contain practical tips for playing from a figured bass. Christensen has
put these sources together and added comments and written-out examples
of his own. In this way his tutor not only shows how musicians played at
the time, but takes a further step of crucial importance: it succinctly
summarizes the way figured bass was taught and studied, thereby
creating models for players today. - Contents: Introduction; Chapter I -
French Figured Bass from Roughly 1690 to 1720 Experts from Michel de
St. Lamber: Nouveau Traité de l' Accompagnement de Clavecin (1707),
Excerpts from Jean-François Dandrieu: Principies de l' Accompagnement de
Clavecin (1719); Chapter II - German Figured Bass from Roughly 1710 to
1735 Excerpts from Johann David Heinichen: Der General-Bass in der
Composition (Dresden, 1728) and Georg Philipp Telemann: Singe-, Spiel-
und General-Bass-Übungen (Hamburg, 1733-4); Chapter III - Other
Essential Aspects of Figured Bass Playing; Postface; Sources and
References...