جهت استعلام قیمت، خرید و مشاهده نمونه صفحه محصول، لطفاً از طریق پشتیبانی فروشگاه در واتساپ و تلگرام اقدام فرمایید.
By Stephen Rose
What did the term 'author' denote for Lutheran musicians in the
generations between Heinrich Schütz and Johann Sebastian Bach? As part
of the Musical Performance and Reception series, this book examines
attitudes to authorship as revealed in the production, performance and
reception of music in seventeenth-century German lands. Analysing a wide
array of archival, musical, philosophical and theological texts, this
study illuminates notions of creativity in the period and the ways in
which individuality was projected and detected in printed and manuscript
music. Its investigation of musical ownership and regulation shows how
composers appealed to princely authority to protect their publications,
and how town councils sought to control the compositional efforts of
their church musicians. Interpreting authorship as a dialogue between
authority and individuality, this book uses an interdisciplinary
approach to explore changing attitudes to the self in the era between
Schütz and Bach.