In honor of the 75th anniversary of the death of
Paraguayan born composer Agustín Barrios, the dream that he nurtured in
his last years of putting together all of his many works has finally
materialized. Les Productions d’Oz, along with a select team of
researchers, guitarists and engravers, have produced in 8 volumes “El
Libro de Oro” (The Book of Gold).
For many recorded pieces there is no manuscript. Other pieces exist
in just sketches. In some cases a full manuscript survived. Many of the
surviving manuscripts were provided to students or patrons of Barrios,
and may have been altered to match the ability of that person. The
recorded version is however quite often different and more interesting
than the written manuscript. It is also possible to understand more of
Barrios’ technique by learning these transcriptions. The legati are
authentic as far as could be determined audibly. Sometimes it is
audible, that he uses the right hand thumb in places we do not expect
it.
This new edition (Volume 7 and 8) however does not only contain
transcriptions of early records, but also other material that has not
been published so far. Some incomplete manuscripts are included in this
series. The pieces were found as unfinished but signed copies. I decided
to finish those as well as possible in the manner of Barrios trying to
follow his style. Examples of these include Vidalita con variaciones,
Romance de la India Muerta, Santa Fe and Capricho Espanol and Invocacion
a la Luna. Newly discovered manuscripts of original pieces are included
such as: Vals, Rohecha ga’u, two Preludes and others including an early
version of Waltz no. 4.
Different versions of Danza Paraguaya are published here for the
first time. It shows that Barrios continuously changed his ideas about
this piece. Two are coming from early signed manuscripts of Barrios (of
which one, apparently a sketch, had to be edited at many places) and
another one a very early publication coming from my own collection.
– Chris Erwich
Please note that most pieces in the transcriptions section of this
publication have already been published in the 2 volumes Series Agustin
Barrios Recordings, transcribed by Chris Erwich (DZ 2600 and DZ 2662).
Transcriptions from Barrios recordings, by Chris Erwich
Romanza (version 2)
Caazapa
Luz Mala
Danza Paraguaya
Cueca
Aconquija
Junto a tu Corazon
Oracion (Plegaria)
Maxixa
Sarita (version 2)
Souvenir d’un rêve (Sueño en la Floresta)
Confession
Aire de Zamba (version 2)
Pericon
Contemplacion
La Catedral
Armonias de America
Invocation a mi Madre
Diana Guarani
Invocacion a la Luna
El Sueño de la Muñequita
Pieza sin Titulo
Barrios pieces revised by Chris Erwich
Luz Mala
Minueto en La
Minueto en Do
Minueto en Si Mayor
Preludio, Op. 5, No. 1
Preludio (for Walter Bolandi)
Fabiniana
Altair
Abri la Puerta mi China
Danza Guaraní
Sargento Cabral
Danza Paraguaya (alternate version 1)
Danza Paraguaya (alternate version 2)
Danza Paraguaya (alternate version 3)
From Stover archives, revised by Chris Erwich
Preludio 20, Opus 28 (Chopin)
Menuet à L’Antique, Opus 14, No. 1 (Padarewski)
Serenata Española (Malats)
Nocturne, Opus 9, No. 2 (Chopin)
Addendum pieces, revised and arranged by Chris Erwich
Rohecha Ga’ú (Saudade)
Vals (attributed to Barrios)
Vals No, 4, Opus 8