جهت استعلام قیمت، خرید و مشاهده نمونه صفحه محصول، لطفاً از طریق پشتیبانی فروشگاه در واتساپ و تلگرام اقدام فرمایید.
by Mark Phillips
Because Bach notated his lute suites as keyboard music (that is,
in standard notation on a grand staff rather than in lute tablature), it
is almost certain that he composed these suites not for the lute, but
for the lautenwerck (lute-harpsichord), a baroque-era keyboard
instrument that sounded like a lute because its strings were gut rather
than metal. As such, the music, while idiomatic for keyboard, is in many
instances awkward (or impossible to play) on the lute (or on the
guitar). Consequently, in existing editions of Bach’s lute suites for
solo guitar, the music has been simplified or altered to make it
playable. But with two guitars (one basically covering the treble part
of Bach’s original score and the other the bass part), the music is at
the same time comfortable to play and faithful to the original. This
edition for guitar duet (in standard notation and tablature) includes
eight selected movements: Gavotte I (Suite in G Minor, BWV 995), Gigue
(Suite in G Minor, BWV 995), Allemande (Suite in E Minor, BWV 996),
Bourrée (Suite in E Minor, BWV 996), Prelude (Suite in C Minor, BWV
997), Sarabande (Suite in C Minor, BWV 997), Gigue (Suite in C Minor,
BWV 997), Prelude (BWV 999).